The press keeps rolling.  Fellow Brain Damage listener, Martin Horsfield is also a writer for Time Out London.  Martin wrote up a very nice 150 word column on for the magazine's Radio page, podcast of the week.

Time Out is a well known weekly magazine that contains information about events in film, theater, fashion, literature and all other artistic events happening in and around London since 1968.  The lifestyle magazine also has outlets in New York City and Chicago as well as 10 other large metro areas around the world.

Thank you Martin!

Show #78 Release date: 19. February, 2007

Sorry for the delay.  I'm up to speed now and thank you for all the "get well" wishes.  This podcast is long overdue.  David Gilmour's About Face Tour was a brief one much like On An Island but the energy is totally different.  The band is tight and everyone sounds like they are having a great time.  The podcast is broken into two main segments and I explain why during the show.  Enjoy!

Stabler Arena, Bethlehem, PA, 12. July, 1984
1. Until We Sleep
2. All Lovers Are Deranged
3. Money
4. Love On The Air
5. Short & Sweet
6. You Know I'm Right
7. Run Like Hell
8. Blue Light
9. Comfortably Numb

U.I.C. Pavilion, Chicago Ill., 8. June, 1984, (doctored for supersound)
10. Milhalis
11. Cruise
12. Out Of The Blue
13. Let's Get Metaphysical
14. Murder
15. Near The End

Band Lineup:
David Gilmour - Guitars, vocals
Mick Ralphs - Guitar, vocals
Chris Slade - Drums
Raphael Ravenscroft - Saxophone
Mickey Feat - Bass, vocals
Gregg Dechart - Keyboards
Sue Addams - Percussion, vocals

After posting The Daily Aztec article, fellow Brain Damage listener Mike S, posted a comment saying he was in London between the 3rd and 16th of September '06 and first learned about Brain Damage from a small mention he saw in the The Times.  

The Times is a national newspaper published daily in the U.K. since 1785 and its been regarded as Britain's "newspaper of record" and is preserved in the British Library's newspaper library in that capacity. 

Mike was kind enough to send a scan of the clipping he saved.  Very cool!  Thank you Mike and thanks to the unknown individuals at The Times who made the mention.  Its an honor to be in Pink Floyd's hometown newspaper!

Show #77 Release date: 19. January, 2007

I still love the BBC.  We continue along the same path as the last podcast but further back in time to the early days of Pink Floyd and their heavy, almost regular appearances for BBC's Top Gear and Night Ride.  The podcast starts off with a "violence" request from Martin.

BBC Playhouse Theater, London, 25. September 1967
BBC Maida Vale Studios, Maida Vale, UK, 20 December 1967
BBC 210 Piccadilly Studios, London, 25 June 1968
BBC Maida Vale Studios, Maida Vale, UK, 2. December 1968

BBC Paris Cinema, London, 12. May 1969

Check this out!  Fellow Brain Damage listener Fernando Ramos also happens to be a columnist for the entertainment section of San Diego State University's newspaper, The Daily Aztec.  A few weeks ago Fernando asked if he could interview me for and upcoming article and here it is.  He wrote up a very nice one indeed.  Thank you Fernando!

DJ shines on with help of Floyd enthusiasts

By: Fernando Ramos, Staff Writer
Issue date: 2/1/07 Section: Tempo

Podcasts aren't anything new.

In essence, they're audio files that a user downloads onto his computer and plays on any audio player - most popularly on iTunes, although Winamp and Windows Media Player also suffice. The topics range from radio-show archives to commentary tracks for TV episodes. Sometimes, one gets the impression that the "talk" format has utterly eclipsed the tried-and-true musical format.

Thankfully, there are also podcasts you can listen to at www.thedoctor.cc, such as the Pink Floyd-centric show "Brain Damage." Billed as "The definitive Pink Floyd radio show" at the start of every episode, it's difficult to argue with such bold claims. Hosted by "The Doctor," a pseudonym for professional Boston radio personality Matt Leonard, the show focuses almost exclusively on live shows and rarely heard demo tapes from the broad spectrum of Pink Floyd's journey.

As the mastermind behind the album "The Dark Side of the Moon" - famous for its 741 week reign on the Billboard Top 200 chart and carrier of the song from which the podcast takes its title - Pink Floyd requires little introduction.

A fascinating mixture of furious guitar work, biting social commentary and bold experimentation in both its aural design and highly stylized visual live shows that have resisted the test of time, the band has rightfully earned its place standing tall among the giants of rock. As such, a show such as "Brain Damage" is nothing short of a gold mine.

The Doctor elaborated on the origins of the show.

"The whole thing came about when I was doing a cool rock radio show playing kick-ass tunes at Tufts University's radio station, WMFO," he said. "From time to time, I'd do an occasional Floyd feature. Eventually a few listeners and a good friend kept nagging me to do a regular Floyd show."

This was able to take shape when The Doctor was given a lucky break.

"I was scheduled a huge block of time," he said. "I ended up splitting the time into two shows, the later half being a Floyd show. That's how it all started."

Unfortunately, the show was canceled a short while later, but after much shopping on The Doctor's part to other universities and Internet radio stations that weren't interested, he still wasn't ready to close his practice.

"I thought to myself, 'Screw it, I'll podcast the show,'" The Doctor said.

Despite his initial worries of losing his audience from the transition, he built his own studio from the ground-up.

"The first podcast was right on schedule, and my audience followed," The Doctor said. "The show (is) now accessible anytime and could be listened to anywhere."

What followed was a boon for the Pink Floyd enthusiast and classic rock fans alike. On a regular (usually biweekly) basis, The Doctor injects each podcast with about a two-hour dose of Floydian goodness.

Each episode has a unifying theme ranging from the complete live performances to more esoteric "Floyd's Worst Moments" - a collection of various technical blunders and, most amusingly, singer Roger Waters' infamous temper tantrums. It's these latter shows that make the podcast so much fun for both the listeners and the host.

The Doctor says he's proud of quite a few shows, but Podcast No. 67, "One of Your Turns," is his personal favorite.

"That one featured the audience," he said. "I asked listeners to send me their own introduction for the song of their choice."

The final effect, hearing the listeners share memories they have associated with the selections, is similar to a particularly trippy episode of National Public Radio's "This American Life."

One fact that may surprise some listeners, given the continuing controversy over MP3 distribution, is the Recording Industry Association of America is mostly hands-off with the show.

"They seem not to mind what I'm doing," The Doctor said. "The RIAA has no authority over unauthorized material, which is mostly what I feature, and Pink Floyd doesn't seem to mind. If they tell me to stop, I will."

That doesn't seem to be anytime soon. Shows are still being updated, and The Doctor isn't secretive about the fun he has recording it.

"Meeting the people around the world that all dig a similar interest in Floyd is most rewarding," he said. "I get to combine my two passions: radio and Floyd."


-Fernando Ramos is a television, film and new media production senior.